Monday, December 10, 2007

A Week in Hong Kong

I know that including an entry on Hong Kong kind of damages the accuracy of the title of the page, but I think we’ll all agree that “A Year in Tokyo” is catchier than “A Year in Tokyo [including five days in Hong Kong and a day in Macau],” which for that matter wouldn’t be correct either (half-day in Yokohama, etc etc), but to keep things easy I’ll keep it how it is, although it would not surprise me, given the size of Tokyo, that it extended to Hong Kong in some way or another, if not now then sooner or later.

A little historical context: Hong Kong was an English colony from 1842 until 1997, when a “transfer of its sovereignty,” a kind of purposely vague term, to China occurred. Whole books have been written about why it was transferred (I saw one in the bookstore yesterday), but the end result is that Hong Kong is both part of China and not, and theirs remains a very complicated political relationship. Unlike mainland China (Beijing, etc), a traveler doesn’t need a special visa to enter, as it operates its own immigration policies.

If European capitols are cities of the past, and Tokyo and other big Asian cities hosts to the past and future meeting, then Hong Kong is most definitely a city of the future. The first thing that struck me was how foolproof their transportation system is – it’s nearly impossible to go in the wrong direction. The streets of downtown are connected via a labyrinthine system of overpasses and underground walkways, and each subway station seemed to have so many entrances that it would be harder not to find one than to get lost.

Of course, the main attraction in Hong Kong, is the city-of-the-future look of its skyline, where this incredible system of transport weaves in and out like ivy.





It seemed the entire city was on its way to a meeting with a high-profile client that would push Hong Kong’s economy even further. Well-dressed businessmen dominated the landscape, shoulder to shoulder with both each other, eyes down cell phones open, and wide-eyed tourists trying to find the point at which the skyscrapers ended (they don’t).

The skyscrapers literally had no end – as my dad and I walked further up the central hill on which Hong Kong is built, each building, whether it residential or commercial, rose 40 stories above the ground as if it were no height at all. Closer to the bay, expensive brand names and western-style hotels were the norm, and each corner turned revealed another shopping center with stores familiar to buyers the world over. Further up the hill, Hong Kong’s Chinese side slowly revealed itself – the ubiquitous small restaurant with the roasted duck hanging in the window, red lanterns hanging lazily outside rundown bars, dimly lit fruit and vegetable stalls, and dusty old storefronts selling electronics, souvenirs, and everything else.

In Hong Kong city:

Hong Kong Park



Incense coils and candle at Man-Mo Temple, the oldest in Hong Kong. They celebrate the God of Literature there - needless to say I had to get one. There's a sticker on the bottom that says "Blessed."




Hong Kong Flower Market




Yuen Po Bird Market. This was kind of heartbreaking, seeing all these beautiful birds in cages.





One gets the feeling, exploring downtown Hong Kong, that there is more to the area than that. Hong Kong’s largest island, Lantau, a ferry ride away, revealed rural areas that seemed miles and centuries away from the shiny capitalism of downtown. A long bus ride that seemed to ascend and descend the same mountain every few minutes lead us to Po-Lin Monastery, home to the largest outdoor Buddha in the world (who knew?) and, to my surprise and delight, a vegetarian cafeteria (quite the rarity in Tokyo). It was wonderfully peaceful, and even the presence of a largish bus terminal right in front of the monastery wasn’t enough to diminish the feeling of entering a sacred space.








A 15-minute walk away from the main monastery revealed the Wisdom Path. In the shape of the symbol for infinity, the path is surrounded by 38 halved tree trunks, on which are written passages from the Heart Sutra, a sacred document in Mahāyāna Buddhism.






Our second-to-last day in Hong Kong took us to the very north of the territory. Our destination was the Hong Kong Wetlands Park, a vast nature reserve on the border with China proper. The New Territories, as the area is called (it was the last section of Hong Kong to be incorporated), is home to both half of the population of Hong Kong (about 3.3 million), and new government subsidized housing projects for the built in order to maintain their stability as its likely future economic hope. These housing projects were awe-inspiring. Like downtown, each building was over 40 stories tall, and they literally went on for miles. The buildings were organized into single areas, each of which had a separate name. Each of these areas had their own grocery store, train station (explained later), play areas and other amenities. We saw many kids running about and giving us \ looks (we hardly saw another foreign-looking face).

The reason for this is probably because the Wetlands Park is so far away. We took a commuter railway out to one of the final stops on the line. Each of the stations on this line was nearly empty, spotlessly clean and utterly state-of-the-art. There clearly had been a large movement recently to increase the access of those living out in the New Territories to Hong Kong city. We hopped on what is called the Light Rail, which consisted of one little train filled mostly with young kids, old folks and the like. This train wound its way around all of these monstrous housing projects and stopped near every one.

This area struck a chord in me much more so than the Emerald City-esque city skyline. While exploring that area, I was struck by the feeling that although it seemed all-encompassing, there had to be a segment of the population of Hong Kong whose lives in no way related to the high-stakes business going on downtown. I believe we found it in the New Territories. It wasn’t desolate, nor did it seem crime-ridden or like an inner city at all. It seemed quite organized and the faces I saw did not appear to be those living in dire situations.

For me at least, what was overwhelming was seeing this endless skyline of apartment buildings and trying to picture the mass of people who lived there. Thousands of people living here, in such close quarters, in identical buildings in a community that looked exactly the same as the one next to it. It was humbling and made me feel quite small, especially since in the background of any view in the wetland park (which was quite beautiful), these buildings dominated the view. I doubted those who looked at the park from their small rooms on the 34th floor of a nameless building cared how many acres they had saved, or how many birds could now fly free.


The view looking south...



and the view looking north.




A common side trip for visitors to Hong Kong is to the nearby dependency of Macau. Macau was a colony of Portugal but, like Hong Kong, its sovereignty was transferred to China in the late 90s. It remains capitalistic, but unlike Hong Kong, it exuded a more provincial, laid-back feel. Although newly built-up sections of Macau are becoming indistinguishable from Las Vegas and other gambling hotspots, in the old sections colorful old colonial buildings dotted the landscape in between dilapidating apartment buildings and shops selling second- and third-hand goods.

From a chapel crowning the highest point on Macau, we peered at China proper lurking mysteriously in the distance, and walked around the small peninsula on the withered cobblestone walkway. Away from the glitz of the casinos and central tourist areas, Macau seemed tired. Our last stop, the A-Ma Temple, was a fog of incense that acted as a veil, an Oriental fog that clung to the skin like a sweet memory. Wrapped in dust, the sun set.

All of the street signs were in both Portugese and Cantonese. I took 7,000 pictures of them.




The Ruins of St. John's church, from the 16th century sometime, an important site for Asian Christians.



Colonial colors and styles.





A-Ma Temple





As is my tendency even when the occasion doesn’t call for it, I attempted to place my trip to Hong Kong in the context of my greater year abroad. Aside from the actual sightseeing, eating (the food, Chinese and otherwise, was fantastic) and photography, all of which opportunities were better than I could have hoped, this trip to me served as an extended meditation on the meaning of “home.”

Waiting for the elevator in the hotel one morning, a Japanese woman noticed that I was only wearing a t-shirt and, rubbing her arms to make the universal symbol for cold, asked me in Japanese if I wasn’t cold? I responded to her, No no, I’m fine, and she nearly fell over with surprise that I spoke the language.

Why is this relevant? This has never happened to me in Tokyo, that a random Japanese has talked to me in such a harmless manner. She undoubtedly talked to me because, in her mind, there was no way I could respond – in the same way that people sometimes tell deep secrets to people they have met once and will never meet again, secrets they haven’t told even their closest confidants.

Being out of one’s element is both a scary and liberating experience, and I suppose that I’ve gotten used to having that duality in my everyday life. In Hong Kong, when I looked at a menu in English for the first time in months, I felt like I was cheating on an important test. The ease with which I read all the signs in English unnerved me – I actually longed for the challenge of having very little available in English, and for the feeling of accomplishment that wells up inside me when I learn a certain word and can finally understand a sign I’ve seen so many times before.

As I walked through the airport back in Tokyo, I felt once again at home, but in a different sense than I would have expected. I count four cities in which I’ve lived in the past seven months, so I suppose I’m used to uprooting myself as of late. Although Japan is still a riddle I’ve yet to solve, I’ve realized that I’ve become comfortable not knowing the answer. I’m never going to “look” like I belong in Tokyo, but if that had been the goal in the first place, I wouldn’t have felt so wonderful when, upon returning home, I saw that my apartment was just the way I had left it.

Thursday, November 22, 2007

Odds & Ends

My bike was impounded yesterday. I suppose it had to happen sometime, law of averages and everything. I was really steaming mad, too - I had parked where I parked almost every time I came to the station. Why this time? Why???

To get from the south side (my side) of the station to the north side requires (I am not exaggerating here) taking five sets of stairs. This didn't improve my mood, but between the third and fourth I saw a man and a woman staring out the window. "You can see Mt. Fuji!" they told another person. I took a look myself.

Against the primal red of the setting sun, one could see the graceful silhouette of Mt. Fuji, the sun sinking behind it like a pebble in the ocean. The perfection of the slopes leading to Fuji's peak could be seen even from where we were, many miles away.

Mad as I pretended to be, seeing something so utterly magnificent (there's no other way to describe it) puts the impounded bike in enough perspective to float a tanker on.


But still... WHY ME??? I marched over to the impounded bike lot (quite far, considering most people going there don't, uh...have bikes). A kindly old man in a uniform fit for a submarine commander asked me when my bike had been taken, and had me pick it out of a bicycle lineup as if I were some kind of important eye-witness. He told me in very grandfatherly Japanese that I should really be careful, Wednesday mornings they clean the streets and I can't park there and will I be alright going home at this hour when it's already dark?

The man behind the counter, another older man (every bicycle parking attendant is between 75 and 85 and wears a hat) asked me if it's alright if I pay the fine ($25) and then gave me a receipt (?) and a packet of tissues with a cartoon on the cover depicting three people yelling out "Dang!" "My bike was taken!" and "I didn't know!" respectively. How could anyone possibly still be mad after that?

But still...


Last of the Autumn Leaves at School






Yokohama







My main activity Wednesday, other than getting my bike back (grrr) was a day trip to Yokohama, Japan's second largest city which is actually really for all intents and purposes an extension of Tokyo. It was a gorgeous day and I felt the travel juices flowing within me.

I learned before going that Yokohama is a sister city of San Diego, which made me very excited indeed. Not that I expected preferential treatment or anything.

I'm not sure if all sister cities are like this, but the areas of Yokohama I explored really did remind me of my hometown. Yokohama is a harbor town but also a bustling convention center. I explored harbor-side parks overlooking spectacular bridges and walked along a gorgeous autumnally colored avenue lined with old hotels modestly hiding their vintage interiors.

Yokohama is also home to Japan's largest Chinatown, where I heard some Chinese spoken and saw many tourists (Whether this title applies to me is debatable. You can guess which side I take.). Climbing a nearby hill, I saw the foreign cemetery (Yokohama was a very popular residential area for foreign dignitaries), and some small French-type bakeries and cake shops. It was Wednesday morning and the pace of life was slow; it was a leisurely stroll to Tokyo's constant sprint.

The unexpected highlight of the day, however, came on the long boardwalk that follows the harbor. A group of elementary school students were behind me, and I heard a few little girls commenting on the foreigner that was walking in front of them. I turned around to give them a quick look. "He looked at you!" one of them squealed.

I waited a few more moments before turning around again and playfully saying "I can understand what you're saying, you know." I walked away too quickly to take in their faces, but what I heard was a fit of giggling that would have surely sunk any of the old ships in the harbor.


I'm headed to Hong Kong on Tuesday to meet my dad (!) and won't be back until December (!!), so until then: じゃあまた。

Still can't actually believe this happened...

I have a friend named Zare (short for Cesare). He is 27 and from
Brazil, and he is innately cool in a way that makes me feel
genetically inferior. Come to think of it, certain countries just seem
to have a knack for producing such people. Australia comes to mind,
for example.

In any case, I was at a museum with Zare on Saturday when a young
Japanese woman came up to him and asked if he was the Zare, from TV?
You see, Zare is on TV. He doesn't like to gloat about it, but he is.
Yes, he said. It's me. The woman told him how much she enjoyed his
comments on the show, and asked for a preview of the next show, to
which he obliged. All I could do was shake my head – that would never
happen to me. If only I was Brazilian…

Not 24 hours later, I was biking to my favorite Indian restaurant in
town for dinner, when I get a call from Zare. A hint of urgency
flavors his usual accent, which sounds like his native Portugese (an
intoxicatingly beautiful language to listen to) taking his English
salsa dancing. "David – I'm at the TV studio. We need other gaijin
(foreigners). Can you make it here by 5:30?"

On the trip there, which takes about an hour, I am on and off the
phone with the show's producer, telling me where to go, what taxi to
take, and mentioning multiple times that they'll pay for my cab.
OK!

I take a cab from Tamata station to Keio University, where NHK (the
government-run television station of Japan) has a small studio. The
producer is waiting for me at the front gate, nearly jumping into the
taxi in order to get things moving quicker. "This your friend?" the
driver asks. "Um," I say.

Wearing a worn forest green hoodless sweater, his hair is unkempt, as
if he had been running his fingers through it nervously for hours.
"Have you ever seen the show?"
"Um," I say.
This was not the correct answer.
"Can you write your major study in Japanese?"
"Yes."
"You're American?"
"Yes."
We go up and down a few elevators. Someone hands me a name card with
my name and nationality in Japanese flanked by a mini American flag.
"Put this on."
"OK."

This might be a good time to mention that I have NO idea what kind of
show this is. I am shown to a room full of wrapped sandwiches and a
big board with a messy schedule written on it. Peeking through the
glass doors, I see the studio.

The show is called "Cool Japan."
(http://www.youtube.com/watch?v=LtwD9ri_sDA) Hosted by a comedian, a
professor and a very attractive, very non-Japanese looking lady, Cool
Japan brings 50 foreigners into a room along with some Japanese
college students. Each show has a different theme on the topic of
Japan, and videos and speakers are shown and heard, and the foreigners
are asked (In Japanese. Everyone is given a mini radio that has a
simultaneous translation heard through an earphone) whether they think
the given topic is "cool or not cool." Or, in Japanese, "koo-roo o-ru
notto koo-roo?" There are a number of votes throughout the show.

The producer came over and tapped my shoulder. "You're going to be
famous," he whispered.
"Um."
Waiting with a French student who smells of cigarettes to go on set,
I come to the following conclusion: "What the hell am I doing here?"
Before adequate time was given to answer this, I was taken on the set
to sit down next to my French companion, who did nothing to improve
the French stereotype I carry.

This show's topic, apparently, was about college and job-finding. I
found most of the material presented notto koo-roo. Participants are
encouraged to stand up and talk about how whatever is talked about is
different in their country, but as I have a hard enough time
generalizing people in one city, and many other Americans had no
problem lumping all of America into one convenient package, I kept
quiet.
The taping went on for a good while. I still didn't really believe
what was happening. I yawned. Someone said that if you leave something
on a bench in America it will be stolen within 5 minutes. A guy from
Greece talked about Japanese architecture. I looked at the host. No
way she's Japanese. But she speaks perfectly…
After the taping finished and they took my picture (for the
tabloids…?) one of the producers came up to thank me. "You did really
well!"
"But I just sat there and said nothing."
There's no business like it.

Saturday, November 10, 2007

Yasukuni, Asakusa, Shimo-Kitazawa. Oh my.


At the controversial Yasukuni Shrine. The shrine houses, according to Shinto practice, all of those who have died in the name of the Emperor (read: Kamikaze pilots, those who organized the Rape of Nanking, Unit 731 and the Comfort women, etc etc). Former Prime Minister Koizumi angered China and Korea by visiting the shrine numerous times. The shrine museum's version of history, especially of World War II, can be most politely described as "creative."








A festival in Asakusa, one of the older, more traditional parts of Tokyo (it was the center of everything back when Tokyo was called Edo), whose theme escapes me.







Shimo-kitazawa is a very "hip" area that survived (for the most part) the rapid development of the rest of the city, by which I mean that its a collection of alleyways with no major roads or tall buildings, and just a few chain stores (There was a Starbucks. I pretended not to see.).

One of the main reasons for my trip there was to find the quintessential Jazzkissa, or Jazz Cafe (kissa is short for kissaten [key-sa-ten], which means coffee shop) in Tokyo. Jazzkissas are places to sit quietly, read a magazine or a light novel, drink sour, slightly overpriced coffee, and listen to jazz records (sometimes CDs, mostly vinyl) for hours and hours. They're all independent places, and they're all about the atmosphere.

Well, for me, this sounded like heaven, so online I went to find out more. By all accounts, the best preserved Jazzkissa, that is, from their heyday in the 60s and 70s, is in Shimo-Kitazawa, a little place tucked away on a side street called Masako. Many others have gone out of business, or presumably become soulless Starbucks.

Masako was as advertised, down to the taste of the drink (I had milk tea, possibly for the last time). The lights were dim, the music soft enough to relax to but loud enough to declare that this particular cafe is about listening and not talking. It might have been Lou Donaldson playing when I walked in, but I wasn't sure.

Forcing myself to finish my milk tea, I finished the Kawabata Yasunari novel I had brought with me and looked at all the old jazz-themed posters on the wall. Two guys with long hair and tight black jeans who had come in with guitar bags smoked cigarettes in the corner, talking quietly. A man, his teacup empty, looked asleep. Ella Fitzgerald's voice filled the room with soul, lingered for a moment, and evaporated. Someone coughed, and I got up to pay the bill.





Masako

Thursday, October 25, 2007

Two Mountains

I love waking up early.

Maybe I should rephrase that - I love getting up early for a reason. Especially if that reason has to do with (a) travel, or (b) doing something outdoorsy.

Luckily for me, Sunday brought the opportunity to do both. I read an advertisement from a club called the "Wondervogels," (Loyal readers of the blog will note that the theme of odd-sounding names with unclear origins pushes on as strong as ever*), inviting international students on a hiking trip to Okutama, which is the far west part of Tokyo Prefecture. Okutama has about as much in common with Tokyo city as Cooperstown has with New York City, to give you an idea of the vastness of Tokyo Prefecture.

Anyway, to back track for a second, I have heard many times that (the) Mt. Fuji was visible from a number of places in West Tokyo, but I had yet to see it and had passed it off as just a way to make the area seem more interesting.

Early Sunday morning, however, was as clear a day as I had seen in Tokyo, and riding the train out west to Okutama, I noticed a distant and beautiful mountain range surrounding the suburbs which I had yet to see in nearly 2 months of being here. My Japanese friend, after teaching me the word for mountain range, calmly pointed out to me that you could see Mt. Fuji as well.

"MT FUJI?!" I gasped. The Mt. Fuji?

As it turns out, one could see Fuji bright and clear from this normal suburban train that I had taken not a few times. It was in the far distance but one could sense its calm presence even in our airconditioned little compartment.

But more on this later.

Meeting up with the rest of the group in Tachikawa, the last major stop in Western Tokyo, we set out on a slow-moving train to Okutama, the last stop on the Japan Railways East line. I talked to two Japanese students who had been to Israel (seriously), watching as the concrete melange of Tokyo slowly faded into mountains of pine trees, deserted wooden train stations and lonely hilltop houses. One could sense the tension in the air of Tokyo releasing and melting away.

Disembarking at a one-room train station with a number of other climbers, our group leader Yuta-kun told us our climbing order (which we never actually climbed in) and lead us up a paved road to the entrance of Mt. Honita, our challenge for the day.



The mountain was steep - no doubting that. To be honest, I wasn't prepared for the type of hike it turned out to be. Not that I'm a hiker anyway. But our Japanese leaders were as prepared as the most decorated boy scout in town.

I alternated between hiking partners, discussing the difficulties of translating Japanese to English and vice-versa (My Japanese friend from early told me on the way up that someone had asked him "How are you?" and he had no idea how to respond. The phrase simply doesn't exist in Japanese. Even the idea of asking "how" something is doesn't really exist. I taught him to say "I'm fine, how are you?" even in situations in which he is not fine. My only suitable explanation for this was that it's just the way you do it. Not sure I'm going to be an English teacher any time soon.)

After about two and a half hours we reached the summit, where predictably older folks who have a considerable edge on me in the category of years lived sat calmly eating a picnic lunch while I wiped the oceanic amount of sweat from my brow with a bath towel. Japanese old people are superhuman. There's no other explanation. Must be something in the rice.

Anyway, as previously reported, Mt. Fuji was indeed visible from sea level. To my great surprise and delight, however, the top of Mt. Honita offered quite a more dramatic view:



The peak of Mt. Fuji, rising up from the clouds blocking the view of the onlookers below. I cannot describe the feeling this gave me. The mountain was understated, tranquil and beautiful in a very "Japanese" way. I felt peaceful simply looking at it. True, I did not climb it, but to have this privileged view of the peak gave the feeling of having arrived, not in the physical sense but, if you'll allow the mountain to be used as a totally unimaginative metaphor, having overcome some initial obstacles to not just be in Japan to be Living in Japan. I took approximately 2,000 pictures of Fuji, drank in the view some more, and returned to my group.

Often in Japan, one will be engaged in an activity that reminds one of something at home, only to be surprised at the end by a turn of events that seemingly has nothing to do with what had been going on before.

The leaders of the group had brought out portable gas burners, put some pots on top and...made cheese fondue. Oh yes, America. I had cheese fondue on top of a mountain. Before I had ever had it when not on a mountain.



I would suggest not thinking about it for too long. Your head might hurt.

We shuffled down the mountain, using the mountaineering technique known as stuffing your toes into the front of your shoes as you slide down hoping not to slip and fall into a tree, which were plentiful:



One of the down sides of waking up that early, however, was that after I made it back to my train stop, I stood in front of the huge bike parking lot with absolutely no recollection of where I had parked my bike. 15 minutes later...

The next day the group leaders e-mailed me to thank me for coming. Why they were thanking me I do not know. Unfortunately, compared to down here on the ground, the view from the top of that mountain made it a lot easier to find things lost in translation.


*Actually, it's not totally random: http://en.wikipedia.org/wiki/Wandervogel . But its still pretty random. (Thanks Judy)

Wednesday, October 24, 2007

Not-So-Secret Gardens

Part of the fun of Tokyo is the little nooks and crannies that make the traveler forget that they are in a massive, mostly concrete, metropolis of some untold millions of people.

This last weekend, in my pursuit to make it to as many different areas of Tokyo as possible (I've given up on thinking I can get to all of them - it's too big) I went to Meguro, a quiet, up-scale suburb in central Tokyo and home to two oases of nature that are unfortunately rare in this city.

The first garden was formerly the home of Prince Asaka. I'm sure you all remember who he was, so I'll skip the biography, but in short, after his death the park became "public," the $1 entry fee notwithstanding. There's also a French Art Deco house of his on the grounds which serves as a museum of sorts, but my goal for the day was to spend as much time surrounded by green as possible.

The garden was split into three sections, and indeed had a very European feel. On the main lawn of the garden, a young man and woman sat on a blanket and ate snacks from a wicker basket, a father chased after his ecstatic children, and others simply sat with well-worn books, enjoying the soft early autumn sunlight.

Wandering into the western section of the garden, another lawn opened up, dotted with tables and chairs and home to about a dozen amateur artists, mostly senior citizens, calmly painting the garden around them. I walked around, sneaking looks behind their backs as they meticulously added laborious strokes here and there, languidly gazing at the scene they were attempting to recreate. Every once in a while an older woman would walk by, gravel crunching under her feet, to offer a handful of snacks to the painters. It was bucolic to say the least - despite the distant rattle of trucks passing on the street, the main background music consisted of the airy songs of birds.

Moving on, I came to the Japanese garden, complete with a small bridge arched over the murky coi pond like the spine of a threatened cat, a tea house hidden in the bushes, and an enigmatic woman staring into the schisms opened up in one's existence that are only visible in such tranquility. I took a slow-paced walk around the pond, looking for my own such windows. A dragonfly flew over my head, causing me to jump. I hope nobody saw; such was the mood.

Teien Gardens







Luckily for me, right next door is the (say it with me now) Shizenkyoikuen (National Science Museum's Institute for Nature Study). The (let's just call it the) park is a large expanse of land held over from the days before Tokyo was an urban jungle. Upon entering, you get one of 300 ribbons to pin on your shirt, as only that amount are allowed in at one time. Not that space is at a premium - it took me a good hour to saunter around all the paths. Accompanying almost every tree was a little sign stating the species name; signs also stated that one shouldn't pick up the little acorns on the ground, for they are for the animals who also live there. Men with very large cameras walked around with a purpose, and old friends slowly made their way, sharing long held-back stories. It was that kind of place.

Despite the presence of untold amounts of spiders (I hate spiders), I was able to relax in this environment. I took a seat on a bench and watched ripples of water form and disappear in front of an old wooden bridge. Behind me I could hear the grind of gravel under the wheels of a stroller. A butterfly flew in front of my eyes. Again, the sense of tranquility heightened my sense of place, though my surroundings in this place were the opposite of the well-manicured Japanese garden.

I walked across the bridge and around a small pathway with flowers on either side, making sure my feet landed on the withered stepping stones. I saw an enormous spider and nearly fell over. Leaving the grounds back into manic Tokyo, I thought about silence.

Shizenkyoikuen


Thursday, October 18, 2007

Housekeeping

Just a quick update with some pictures.

Something I forgot to mention was the address system here in Japan. While my apartment is on a relatively large and busy street, my home address actually doesn't include the street. In fact, only the largest of streets in Tokyo have any names at all. That's correct, most streets don't have names. They're just "street."

So, you might ask, how in the world are you supposed to find anything if the streets have no names? In general, any unfamiliar location one might be tempted to go to comes with a map from those who live there. That, or you go by monuments such as "the 7-11" (they're everywhere), or a school, or something.

So what IS my address?

Tokyo-to, Mitaka-shi, Jindaiji 3-10-3 Angelique 205

I realize this may as well be in hieroglyphics. It kind of still seems like that to me.

In actuality, while Western world addresses generally go from the most specific location to the least (Street address, street name, city, state, country), Japanese addresses go the other direction (the address starts with the most general address [in this case, Tokyo] and ends with the most specific location).


Further, because there are no street names, cities are cut up into blocks. For example, its as if Manhattan's streets did not have their convenient numbered grid, but was officially split up into Upper West, Columbus Circle, Lower East Side, etc, and each of those divisions had subdivisions by location, which would then be divided once more into blocks.


If you need a break, go ahead and take it.

SO

My address (Tokyo-to, Mitaka-shi, Jindaiji 3-10-3 Angelique 205), translated, means:

I live the third building of the 10th block of the third section of Jindaiji, which is in Mitaka city, which is in Tokyo prefecture. My building's name, as previously reported, is Angelique, and I live in room number 205.



Exhale.

So, in conclusion, the only thing more difficult than acquiring this apartment is actually finding it. I think I'll just meet visitors at the train station.

I spent last Saturday in Ueno Park, which is where many of Tokyo's finest museums are, along with a plethora of shrines and temples and where the largest cherry blossom viewing parties are (more on that this spring), and also Asakusa, a famous Tokyo shrine that's a favorite of tourists and locals alike. Yesterday afternoon I went to nearby Inokashira Park, one of the loveliest natural enclaves in Tokyo.


Ueno:



Asakusa:


Inokashira Park:

Sunday, October 14, 2007

House Work

I was first driven towards finding a new place to call home when I had more and more trouble sleeping at the dorm I was placed in. Yes, it was the commuter train coming by every few minutes, but it was also the noise of the other people staying there. My room was not a few feet from the bathroom, and the Japanese youth seem to have a habit of clearing their throats so loudly that for a while I was afraid they had accidentally swallowed something alive that was trying very hard to get back out. This was a problem because the amount of time and energy spent simply getting to school should have been enough to knock me out come dusk.

So it was that I was introduced to the army of women working at Pitatto House, a real estate company with bright green offices all over western Tokyo. I went in originally just to look at a few places, and one of the ladies (who spoke no English) showed me around two apartment buildings, both of which were a short walk from school. I immediately liked one of them (the rooms), and told them such the next week.

Thus I entered a process that I'd really prefer not to go through again. Japan is bureaucratic enough as it is (I had to register my bike with the city after I bought it), but the process of finding a place to live was quite remarkable in the amount of paperwork and trips to government offices I made. The following is an abridged list:

Approximately 35 trips to the Citibank ATM to take out enough to pay all the fees in advance (they wanted it in cash!)

Mitaka city office to change the address on my alien registration ID (I'm an alien) and to apply for National Health Insurance in Mitaka

2 Trips to the post office for two different kinds of insurance

5 trips to the student affairs office because they're concerned with my affairs

3 trips to the Japanese bank to open an account (the first I didn't have the correct paperwork, the second they were closed [The lady told me they would be open that day. Alas.], and the third to finally open an account) through which I would pay rent, despite the fact that the first months' rent was in cash. (Don't ask. I don't know.)

Of course, I still had all my stuff at the dorm, which is about a 45 minute journey, so I made a bunch of those as well.

Was it worth it? Absolutely. My Japanese improved significantly, I think, as most of this process was not in English. Vocabulary involving rent, delivering of appliances, bank accounts and furniture have been stored pretty tightly in my head. So if you're ever in the market for a place in Tokyo...

Of course, this left me with an empty apartment. Japanese apartments generally come unfurnished, and when they say unfurnished, they mean no stove, no fridge, no nothing. Totally bare, save the necessary facilities which would have been very difficult to buy (shower, etc).

This then required numerous NUMEROUS trips to local warehouses such as the ironically named J-Mart, and another store that is very popular called "Don Quixote." Again, I don't know why. I also learned that it's a very very bad idea to try to carry a box containing a bookshelf on a bike for more than a mile. On the first day I had my bike. Of course, I repeated this mistake another two times carrying similarly heavy and bulky items, and although I was concentrating on not falling over, I could swear I heard onlookers expressing their confusion as to why an American was on a bike carrying large items that would be much more easily transported on a bus. I guess I'm wondering that now, too.

In any case, after two weeks of organizing, purchasing, and re-organizing, and with absolutely no background in interior design, here's what I came up with:




Sleeping on the floor (not ON the floor but close enough to the floor [on a futon] that it's correct to say on the floor) definitely took (is taking) some getting used to, but in general I love it here. It's also an item in my contract that I cannot wear my shoes inside, so I get this little area for my shoes.



I realize this is probably the most boring picture I've ever taken, but in terms of cultural comparison I think it's necessary. Thanks for bearing with me.

Of course, one of the nicest things (they're all nice, really) about living here is the proximity to school. To give you a visual picture of what I mean, let's have a look at what I had to look at on my way to school before the move and after the move.

Before:



After:




That's the entryway to ICU. Not bad, not bad.